
The other big difference is that the sheet music
collections, formerly kept in boxes on the top floor and hence divorced from
the main sections of printed music on the ground floor, have been united with
their main sections so, for example, the boxes of unbound keyboard music from
the top floor have been moved downstairs and are now kept with the more
substantial bound volumes of keyboard music on the ground floor. The top floor
now contains the remnants of the print periodical (journal) collection.
While the ground floor now contains all the instrumental
music, along with the full and miniature score sequences, all the vocal music
is concentrated on the first floor (opera/oratorio vocal scores, songs, part
songs, etc.) in the bays to the left of the door from the staircase. The
lending sets of collected editions have been moved from the first floor to the
ground floor and are shelved in alphabetical sequences before the reference set
sequences begin.
We apologise for the fact that it may take a while for you
to get your bearings but we hope you’ll eventually come to agree that the
resulting arrangement, in which we have sought to reduce the number of
sequences, is an improvement on the previous system. We have done our best to
complete as much of this work as possible before the beginning of term,
including the relabelling of the shelves and updating of the floor plans, but
please be patient while we continue to fine-tune the arrangements. If you are struggling to find what you need please don't hesitate to ask at the library desk and we will point you in the right direction.
Another development to have taken place in the last few
months has been the inclusion of data from the card catalogues for the Bodleian
Library’s music collections in SOLO so practically all the Bodleian’s printed
music scores can now be located through SOLO rather than through the card
catalogues which were latterly searchable through the separate online
‘flipbook’ viewer. We hope that this will be a welcome improvement.